BOOKBINDER
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2016

2016

A Shropshire Lad.

A.E. Housman.

Riccardi Press, London 1914.

443/1000. 

230x165x16mm

Bound in full recessed chocolate goatskin with handmade paper onlays. Top edge gilded in Caplain leaf.

 

2016

2016

Front board.

2016

2016

Patchwork Quilt.

Decimus Magnus Ausonius (Done into English by Jack Lindsay).

Illustrated by Edward Bawden.

Fanfrolico Press, London 1930.

149/400. 

235x155x17mm

Bound in full black goatskin with blind tooling. Top edge gilded in Caplain leaf.

2016

2016

Front board.

2015

2015

 

The House, the Garden, and the Steeple.

Mr Arthur L. Humphreys.

Ist Edition. London 1906. 

169x133x17mm

Bound in full yellow goatskin with gold tooling. Top edge gilded.

2015

2015

On a Calm Shore.

Frances Cornford.

Designs by Christopher Cornford.

Cresset Press, 1960. First Edition. 

221x144x18mm

Bound in full grey goatskin with recessed and embossed onlays and relief printing. All edges coloured and relief printed. 

2015

2015

Edge view

2015

2015

Detail of front board

2013

2013

Benito Cerano.

Herman Melville.

Illustrated by E. McKnight Kauffer.

Nonesuch Press, 1926. 656/1650. 

Bound in full grey goatskin with recessed paper inlays. Top edge gilded in distressed Caplain leaf. 

2013

2013

Edge view

2013

2013

Endpaper and doublure.

2013

2013

The Mercury Fountain.

Gregory Warren Wilson.

Enitharmon Press, 2008. 

Bound in full blue goatskin with Caplain leaf tooling. All edges coloured and sprinkled.

2013

2013

Leçons/Learning.

Phillipe Jaccottet and Mark Trehame

Delos Press, 2001. 38/150. 

Bound in full black goatskin with recessed paper inlays. All edges sprinkled. 

2012

2012

Winged Chariot.

Walter de la Mare.

Faber and Faber, 1951. First Edition. 

Bound in full burgundy goatskin with tooling in Caplain leaf.
Top edge gilded in Caplain leaf. 

 

2011

2011

Poems and Pieces 1911 to 1961.

Frances Meynell.

Nonesuch Press, 1961. 482/750. 

Bound in full chocolate goatskin with multi-coloured onlays. 

 

2010

2010

Antony and Cleopatra.

William Shakespeare.

The Gresham Publishing Co. Ltd. , 1906. 

Bound in full crimson goatskin with recessed gilded detail.
All edges gilded in 23 carat gold leaf. 

Private Collection. 

2010

2010

A Stitch in Time or Pride Prevents a Fall.

James Laver.

Nonesuch Press, 1927, 360/1525.

Bound in full lime green goatskin with pink goat skin onlays.  
All edges gilded in white gold leaf. 

Private Collection. 

2010

2010

The Poems of William Shakespeare.

William Shakespeare.

Wood Engravings by Agnes Miller Parker.

Limited Editions Club, 1967. 

Bound in full burgundy goatskin with recessed suede inlay.  
All edges coloured. 

Private Collection.

 

2009

2009

The Comedy of Errors.

William Shakespeare.

Illustrated by Isadore Seltzer.

PDR/Royal, Inc. NYC. 1993.  

Bound in full black goatskin with grey and orange back-pared onlays. Top edge coloured. 

 

2009

2009

Down the River.

H.E. Bates.

Wood Engravings by Agnes Miller Parker.

Victor Gollanz, 1937. 

Bound in full navy blue goatskin with recessed white gilded detail. Top edge gilded in white gold.

Private Collection. 

  

2008

2008

As You Like It.

William Shakespeare.

The Roycroft Shop, 1903. 

Bound in full scarlet goatskin with black goatskin onlays.
Top edge gilded in moon gold leaf. 

Private Collection.

2008

2008

Detail

2008

2008

New York Revisited.

Kenneth Auchincloss.

Wood Engravings by Gaylord Shanilec

The Grolier Club of New York, 2002. 

Bound in full black goatskin with handmade paper onlays. Top edge coloured. 

Private Collection. 

 

2006

2006

Love's Labour's Lost.

William Shakespeare.

Illustrated by Berkeley Sutcliffe.

1959. 

Bound in full pink goatskin with multi-coloured goatskin onlays. Top edge coloured. 

British Library Collection. 

2006

2006

Detail.

2006

2006

Headband.

2016

A Shropshire Lad.

A.E. Housman.

Riccardi Press, London 1914.

443/1000. 

230x165x16mm

Bound in full recessed chocolate goatskin with handmade paper onlays. Top edge gilded in Caplain leaf.

 

2016

Front board.

2016

Patchwork Quilt.

Decimus Magnus Ausonius (Done into English by Jack Lindsay).

Illustrated by Edward Bawden.

Fanfrolico Press, London 1930.

149/400. 

235x155x17mm

Bound in full black goatskin with blind tooling. Top edge gilded in Caplain leaf.

2016

Front board.

2015

 

The House, the Garden, and the Steeple.

Mr Arthur L. Humphreys.

Ist Edition. London 1906. 

169x133x17mm

Bound in full yellow goatskin with gold tooling. Top edge gilded.

2015

On a Calm Shore.

Frances Cornford.

Designs by Christopher Cornford.

Cresset Press, 1960. First Edition. 

221x144x18mm

Bound in full grey goatskin with recessed and embossed onlays and relief printing. All edges coloured and relief printed. 

2015

Edge view

2015

Detail of front board

2013

Benito Cerano.

Herman Melville.

Illustrated by E. McKnight Kauffer.

Nonesuch Press, 1926. 656/1650. 

Bound in full grey goatskin with recessed paper inlays. Top edge gilded in distressed Caplain leaf. 

2013

Edge view

2013

Endpaper and doublure.

2013

The Mercury Fountain.

Gregory Warren Wilson.

Enitharmon Press, 2008. 

Bound in full blue goatskin with Caplain leaf tooling. All edges coloured and sprinkled.

2013

Leçons/Learning.

Phillipe Jaccottet and Mark Trehame

Delos Press, 2001. 38/150. 

Bound in full black goatskin with recessed paper inlays. All edges sprinkled. 

2012

Winged Chariot.

Walter de la Mare.

Faber and Faber, 1951. First Edition. 

Bound in full burgundy goatskin with tooling in Caplain leaf.
Top edge gilded in Caplain leaf. 

 

2011

Poems and Pieces 1911 to 1961.

Frances Meynell.

Nonesuch Press, 1961. 482/750. 

Bound in full chocolate goatskin with multi-coloured onlays. 

 

2010

Antony and Cleopatra.

William Shakespeare.

The Gresham Publishing Co. Ltd. , 1906. 

Bound in full crimson goatskin with recessed gilded detail.
All edges gilded in 23 carat gold leaf. 

Private Collection. 

2010

A Stitch in Time or Pride Prevents a Fall.

James Laver.

Nonesuch Press, 1927, 360/1525.

Bound in full lime green goatskin with pink goat skin onlays.  
All edges gilded in white gold leaf. 

Private Collection. 

2010

The Poems of William Shakespeare.

William Shakespeare.

Wood Engravings by Agnes Miller Parker.

Limited Editions Club, 1967. 

Bound in full burgundy goatskin with recessed suede inlay.  
All edges coloured. 

Private Collection.

 

2009

The Comedy of Errors.

William Shakespeare.

Illustrated by Isadore Seltzer.

PDR/Royal, Inc. NYC. 1993.  

Bound in full black goatskin with grey and orange back-pared onlays. Top edge coloured. 

 

2009

Down the River.

H.E. Bates.

Wood Engravings by Agnes Miller Parker.

Victor Gollanz, 1937. 

Bound in full navy blue goatskin with recessed white gilded detail. Top edge gilded in white gold.

Private Collection. 

  

2008

As You Like It.

William Shakespeare.

The Roycroft Shop, 1903. 

Bound in full scarlet goatskin with black goatskin onlays.
Top edge gilded in moon gold leaf. 

Private Collection.

2008

Detail

2008

New York Revisited.

Kenneth Auchincloss.

Wood Engravings by Gaylord Shanilec

The Grolier Club of New York, 2002. 

Bound in full black goatskin with handmade paper onlays. Top edge coloured. 

Private Collection. 

 

2006

Love's Labour's Lost.

William Shakespeare.

Illustrated by Berkeley Sutcliffe.

1959. 

Bound in full pink goatskin with multi-coloured goatskin onlays. Top edge coloured. 

British Library Collection. 

2006

Detail.

2006

Headband.

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